James Cameron thinks he’s found the bones of Jesus:
In a new documentary, Producer Cameron and his director, Simcha Jacobovici, make the starting claim that Jesus wasn’t resurrected –the cornerstone of Christian faith– and that his burial cave was discovered near Jerusalem. And, get this, Jesus sired a son with Mary Magdelene.No, it’s not a re-make of “The Da Vinci Codes’. It’s supposed to be true.
Let’s go back 27 years, when Israeli construction workers were gouging out the foundations for a new building in the industrial park in the Talpiyot, a Jerusalem suburb. of Jerusalem. The earth gave way, revealing a 2,000 year old cave with 10 stone caskets. Archologists were summoned, and the stone caskets carted away for examination. It took 20 years for experts to decipher the names on the ten tombs. They were: Jesua, son of Joseph, Mary, Mary, Mathew, Jofa and Judah, son of Jesua.
Israel’s prominent archeologist Professor Amos Kloner didn’t associate the crypt with the New Testament Jesus. His father, after all, was a humble carpenter who couldn’t afford a luxury crypt for his family. And all were common Jewish names.
There was also this little inconvenience that a few miles away, in the old city of Jerusalem, Christians for centuries had been worshipping the empty tomb of Christ at the Church of the Holy Sepulcher. Christ’s resurrection, after all, is the main foundation of the faith, proof that a boy born to a carpenter’s wife in a manger is the Son of God.
But film-makers Cameron and Jacobovici claim to have amassed evidence through DNA tests, archeological evidence and Biblical studies, that the 10 coffins belong to Jesus and his family.
I’m not sure how they did DNA tests. But I’m interested to see how this all plays out, if it will be as big as Cameron thinks or if it will just piffle out into nothing.
Update: I don’t know how I could forget to mention that Tom Robbins’ first book, Another Roadside Attraction has the discovery of the mummified corpse of Jesus by a drug dealer turned Vatican Kung Fu instructor as a central plot point.
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